Are these skinny, heavily tattooed bodies male or female or at the intersection of the sexes? As in a Harold Pinter play, we feel we'd understand what's going on if we'd only arrived a moment earlier; uncomprehending, we feel we're close to the beautiful mystery these painted, shorn people embody.

Edmund White

Fearlessly confronting the power structure in both the court of law and the court of public opinion, Slava made his voice heard and shone a light on so many who were systemically marginalized and discriminated against. Slava wanted to put a human face on a community long subject to misinformation and erasure.

Sara Rosen, i-D

Mogutin's work, like all the best things of the world, is something you want to keep around all the time-except when you are going through customs.

Christopher Bollen, V Magazine

A joyous, devil-may-care celebration of the gay scene.

3:AM Magazine

Raunchy, spontaneous, and chaotic.

The Advocate

An expression of the indomitable glory of desire.

Bruce Benderson

NYC Go-Go is Slava’s ode to that most noble and ridiculous of New York institutions, the go-go boy: sexual object, exhibitionist, narcissist, hustler, performance artist and working stiff (so to speak). It is pornography, portraiture, anthropology, nostalgia and social history all rolled into one sweaty, ample basket.

Bruce LaBruce

Mogutin's photographic power lies as much in the framing of the images as it does in putting his subjects at such ease that they behave as if no camera were around.

OUT Magazine

The provocative imagery… a look inside the downtown gay club scene.

Gay Times

Mogutin works in the documentary and raw style of photographers like Wolfgang Tillmans and Terry Richardson. The "art of shocking" would be one of the best ways to define his work.

Anthem Magazine

Mogutin’s photographs have engaged both international and domestic audiences. They move us to interrogate our cultural notions of romance, shame, fantasy, and love. The cosmopolitan renegades that inhabit Mogutin's world of urban youth culture vary from the poetic to the downright obscene.

Juxtapoz Magazine

Mogutin's photos are frankly sexual, but they also reflect very real economic and political realities. Let's leave the fear to the authorities and embrace him as an ardent outlaw.

V Magazine

The NYC Go-Go hustler scene is a great metaphor for Western civilization. Everyone is a prostitute.

Attitude Magazine

Pornographic, obsessive, fetishistic, and hilarious in its send-up of macho-on-macho eroticism, Mogutin's work also has fleeting romantic moments and energy to burn. This Russian rude boy’s photos of skinheads in bondage suggest Bruce LaBruce crossed with Terry Richardson, and the best of them pack a good, nasty punch… You gotta love Mogutin’s audacious, fuck-it-all attitude and his willingness to put his kinkiest fetishes on the line.

Vince Aletti, The Village Voice

Slava Mogutin—Russia’s biggest export.

Steve Lafrenier, Index Magazine

His books have challenged sexuality, stereotypes and conservatism… a raw, unfiltered commentary on masculinity via the world of fetish. Left in Mogutin’s hands, humans are opened up to all sorts of possibilities—vulnerable or inherently powerful. An unflinching tribute to his community that captured young gay men at their most liberated.

The Face

Provocative and agonizingly intimate… a cross between porn and fashion, pop culture and marginal kink.

Document Journal

A critical exploration of homoerotic aesthetics, youth culture, and masculinity. 

Adriano Sack, Die Welt 

Mogutin is the preeminent voice of a new generation of queer artists… an intoxicating mix of mischief, irreverence, rebellion, and audacity.

Blind Magazine

A great work of radical queer art. 

Del LaGrace Volcano

He fled his native Russia, where he faced charges of ‘psychic pathology and sexual perversions.’ Is Slava Mogutin a pornographer, genius or madman?

Attitude Magazine 

Colorful, exciting, sexy, and full of raw energy. 

The Eye of Photography